Brownness is it's main characteristic. But like many things that first seem plain to a foreigner in Japan -- what with our being used to gaudy brashness -- the subtlety of bizen-yaki grows on you after a while.

This potter had this massive kiln, something like this one:

in which he could fire thousands of pots at a time. In fact, they only did two firings a year, as I recall -- quite an occasion apparently.
The ends were sealed off like this for the firing:

and it would be lit for days at a time, reaching an impressive temperature.

Next post: musical notes on Practice Perfect.
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